Her name is Caliope, and when she was a young girl, she never believed in happy endings. For her, there was nothing more than what you see in front of you. All she needed was her best friend Vanessa. Her background is very simple; a foster child with foster parents that were everything but warm and caring. Regardless of that, she became a smart and responsible young woman, ready for whatever came her way. At least that is what she thought. Her new job interview changed her life. It changed everything she ever believed in, and what she thought it was real. Her new boss is an amazing woman who has a son, something different from what he is made out to be. As she discovers the hidden truth about her boss and her son, she has to prepare herself for a whole new world that will unfold to her.
Super closed-off and a closet sadist, heir to the multi-billion dollars group Vira Cynfael works as a hitgirl. The life she goes through so far is not easy, but she always find a fine line in between. But all of that is about to change when her dearest cousin, Aramis Cynfael, goes missing. And when times get rough, she will have to assemble members of the Murder, Inc. once more. (Volume #1 - #4, Completed.)
(1899) Atherton's first publication was "The Randolphs of Redwood: A Romance," serialized in The Argonaut in March 1882 under her pseudonym Asmodeus. She published it as a novel in 1899 and re-titled it A Daughter of the Vine She drained the glass. For a moment they stared hard at each other in silence, Thorpe wondering at the sudden maturity in the face before him. All the triumphant young womanhood had gone out of it; the diabolical spirit of some ancestor entombed in the depths of her brain might have possessed her for the moment, smothering her own groping soul. The distant music filled the conservatory with a low humming sound, such as one hears in a tropical forest at noon. Suddenly Thorpe realised that the evil which is in all human souls was having its moment of absolute liberty, and that the two dissevered particles, his and hers, recognised each other. He had knocked his senseless many times in his life, but he felt no inclination to do so to-night; for so much more than what little was evil in this girl attracted and magnetised him. His brain was not clear, and it was reckless with its abrupt possession by the idea that this woman was his mate, and that, for good or for evil, there was no escaping her. He sprang to his feet, pushed the table violently aside, took her in his arms and kissed her. For a moment she was quiescent; then she slipped from his embrace and ran down the conservatory, thrusting the ferns aside. One fell, its jar crashing on the stone floor. He saw no more of her that night.--Chapter 1
Love's Labor's Lost (a Poetic Comedy) At Navarre (in Spain), King Ferdinand explains to Berowne, Longaville, and Dumaine that they can stay at the court to study and contemplate for three years, but that they must: 1) never see, speak to, or be with a woman during those three years, 2) fast once per week, and 3) sleep only three hours per night, all in order to be most fit for concentrating. Berowne finds these requirements too strict and bound to be broken, but agrees to them, predicting that he will be the last to break the rules. Anthony Dull enters with Costard (a philosopher at the academy) who is charged with breaking the rules, reported by Don Adriano de Armado, an extremely loyal philosopher. Ferdinand sentences Costard to one week of fasting, overseen by de Armado. Ironically, Armado admits to his servant Moth that he is in fact in love with a woman. Hypocritically, Armado puts Costard in prison, even after he (Armado) actually admits (around others) to Jaquenetta that he loves her and will meet her later. The princess (daughter of the King of France) comes to Ferdinand's court. He won't let her in (following his rules), but instead meets her outside his gates, where she informs him her father wants a loan of 100,000 crowns repaid. Ferdinand denies he or his father ever received the money. Berowne, here, recognizes Rosaline (lady of the princess') and exchanges witty remarks with her. Dumaine, Longaville, and Berowne all ask Boyet (Lord with the princess) the names of the princess' three ladies, Katharine, Maria, and Rosaline. Boyet informs the princess and her ladies of the inquiries. Armado frees Costard early on condition that he take a letter to Jaquenetta for him. On his way, Berowne gives Costard a letter for Rosaline. Costard, however, gives Armado's letter to the princess (who claims to be Rosaline). (Letter is in Act IV, scene i, line 62) At the castle, Dull, Nathaniel, and the pedant Holofernes (whose vocabulary is immense) trade witticisms. Jaquenetta asks Nathaniel to read the letter from Armado, given to her by Costard. In fact, the letter was intended for Rosaline (from Berowne), mixed up by Costard. Holofernes tells her to take the letter and Costard to the King. Berowne, lamenting his reservations over loving Rosaline, overhears Ferdinand writing a love letter to the princess. The king and Berowne then both overhear Longaville writing one to Maria. All three overhear Dumaine writing one to Katharine. Longaville then comes forward and scolds Dumaine for his lust. The king then scolds them both. Finally, Berowne comes forward and scolds all three for breaking their oath. Berowne claims he has kept faithful, but Jaquenetta enters revealing Berowne too is in love. The four decide to break their oaths and to win over their women. The king sends Armado to Holofernes, Nathaniel, and Dull to get an idea to entertain the ladies. They decide on a performance, the Nine Worthies. Boyet informs the ladies that the men plan to visit them, disguised as foreigners. The princess switches jewelry with Rosaline and Maria with Katharine, and all plan to wear masks to confuse the men and mock them for their game. The women vow, too, to not listen and not to dance with the men. The king, though, convinces Rosaline to go with him, alone, thinking she is the princess. Berowne departs with the princess, Dumaine with Maria, and Katharine with Longaville. Yet, the women ignore the men and the men depart in frustration. The women relish in their actions and decide, if the men return undisguised, to complain to them of their "odd visitors". The men do come back, and all admit to their respective trickeries and laugh. The "Great Worthies" give their presentation: Costard as Pompey the Great, Nathaniel as Alexander the Conqueror, Moth as Hercules, Holofernes as Judas Maccabaeus, and Armado as Hector (Trojan Champion). Costard interrupts to inform Armado that Jaquenetta is two months pregnant, by Armado himself. Marcade then comes and informs all that the King of France has died; the performance is abruptly ended. The princess informs Ferdinand that she will marry him only if he goes into hermitage for one year. Katharine and Maria tell Dumaine and Longaville the same. Rosaline tells Berowne that he must spend his year in a hospital cheering up the terminally ill. Finally, Armado informs all he will finish his three years of study before marrying Jaquenetta. Shakespeare's play ends with the completion of the performance and an operatic solo, before the men set out on their respective pilgrimages.
(1895) TO THE HONOURABLE SIR HENRY HAWKINS.-- My dear Sir Henry: It gives me very great pleasure to be allowed to dedicate this book to you. I hope you will accept it as a token of thanks for much kindness, of your former Marshal's pleasant memory of his service, and of sincere respect for a clear-sighted, firm, and compassionate Judge.--Your affectionate cousin, A. H. H. London, August, 1895.
(1864) Translated by Constance Garnett (1862-1946). The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life. --Author's This is the first book of a series of novels that form Dostoevsky's "second period" works, which includes "Crime and Punishment", "Karamazov Brothers", "The Idiot" and others. Though a short novel compared to the ones mentioned, we can find here the seeds of many subjects Dostoievsky was to develop further in his subsequent works. The book is divided into two parts. In the first one, the main character - an obscure student whose name is not even mentioned- introduces himself as a sick and spiteful man. He makes a long diatribe against subjects such as free will, rationalism and romanticism. He attempts to explain his ideas of life and the quest of being, relating man with a piano keyboard: man does not want to think of himself as an instrument that can be played by a superior force without having the power to use his will; rather he has to demonstrate he is a human being with an inner and singular self and not just a piece that belongs to a bigger mechanism. In the second part, this troubled man engages in telling us his difficulties to relate to other people. Here the author brings some characters into the scene, whose principal role is to show the main character's incapability to interact in society. The scene in which he delivers a wordy speech to a young prostitute in a dark cubicle is particularly touching.
Memoirs of a most Respectable Family Edited by Arthur Pendennis, Esq. (1853)
First published in 1869 Translated by F.P. Walter in 1873. This story is about the adventures of Captain Nemo and his crew aboard the submarine, Nautilus. One day ships start sinking, particularly ones dealing with war. Survivors think it is a big whale. A harpoon ship goes out to kill it, but finds out that the whale is actually the Nautilus. The most interesting part of this book was probably the Nautilus itself. It is shaped to look like a fish, with a large metal fin on top used to ram and sink the ships. The camouflage of the boat being shaped like a whale works, up until the part where the Nautilus takes on a few passengers from one of the sinking ships. Another intriguing part of this book was Captain Nemo. He is the kind of character that you neither like nor dislike. I say this, because of some of Nemo抯 actions. Captain Nemo hates war, and throughout the book, he uses his submarine to destroy all kinds of war related ships. You would like him for trying to put an end to war, but dislike his method (destroying ships and killing innocent lives). This is the story of an Underwater Tour of the World and is a classic science fiction novel by French writer Jules Verne published in 1870. It tells the story of Captain Nemo and his submarine Nautilus, as seen from the perspective of Professor Pierre Aronnax after he, his servant Conseil, and Canadian whaler Ned Land wash up on their ship. On the Nautilus, the three embark on a journey which has them going all around the world. The novel was originally serialized from March 1869 through June 1870 in Pierre-Jules Hetzel's periodical, the Magasin d捝ducation et de R闰r閍tion. The deluxe illustrated edition, published by Hetzel in November 1871, included 111 illustrations by Alphonse de Neuville and 蒬ouard Riou. The book was highly acclaimed when released and still is now; it is regarded as one of the premiere adventure novels and one of Verne's greatest works, along with Around the World in Eighty Days and Journey to the Center of the Earth. The description of Nemo's ship, the Nautilus, was considered ahead of its time, as it accurately describes features on submarines, which at the time were very primitive vessels. Thus, the book has been able to age well because of its scientific theories, unlike some other of Verne's works, like Journey to the Center of the Earth, which are not scientifically accurate and serve more simply as adventure novels.--Submitted by Sana.
(1895) Preface: If a book by an author who must call herself a veteran should be taken up by readers of a younger generation, they are begged to consider the first few chapters as a sort of prologue, introduced for the sake of those of elder years, who were kind enough to be interested in the domestic politics of the Mohuns and the Underwoods. Continuations are proverbially failures, and yet it is perhaps a consequence of the writer's realization of characters that some seem as if they could not be parted with, and must be carried on in the mind, and not only have their after-fates described, but their minds and opinions under the modifications of advancing years and altered circumstances. Turner and other artists have been known literally to see colours in absolutely different hues as they grew older, and so no doubt it is with thinkers. The outlines may be the same, the tints are insensibly modified and altered, and the effect thus far changed. Thus it is with the writers of fiction. The young write in full sympathy with, as well as for, the young, they have a pensive satisfaction in feeling and depicting the full pathos of a tragedy, and on the other hand they delight in their own mirth, and fully share it with the beings of their imagination, or they work out great questions with the unhesitating decision of their youth. But those who write in elder years look on at their young people, not with inner sympathy but from the outside. Their affections and comprehension are with the fathers, mothers, and aunts; they dread, rather than seek, piteous scenes, and they have learnt that there are two sides to a question, that there are many stages in human life, and that the success or failure of early enthusiasm leaves a good deal more yet to come. Thus the vivid fancy passes away, which the young are carried along with, and the older feel refreshed by; there is still a sense of experience, and a pleasure in tracing the perspective from another point of sight, where what was once distant has become near at hand, the earnest of many a day-dream has been gained, and more than one ideal has been tried, and merits and demerits have become apparent. And thus it is hoped that the Long Vacation may not be devoid of interest for readers who have sympathized in early days with Beechcroft, Stoneborough, and Vale Leston, when they were peopled with the outcome of a youthful mind, and that they may be ready to look with interest on the perplexities and successes attending on the matured characters in after years. If they will feel as if they were on a visit to friends grown older, with their children about them, and if the young will forgive the seeing with elder eyes, and observing instead of participating, that is all the veteran author would ask. C. M. YONGE. Elderfield, January 31, 1895.